The Story: I believe that Bull Durham is one of the great baseball movies (probably because and not despite Shelton didn't want it to be a "back-lit" baseball movie) and probably because I believe it has less to do with baseball and more to do with the games people play to fool themselves—such as rituals and superstitions. I believe it has a lot of great scenes and I'll be using those for the next few years (and abandoning the "Who's On First" routine of Abbott and Costello) when the start of Baseball Season rolls around.
I believe that Crash Davis' "I believe" speech is one of the best things about it—but not exclusively—despite that Ron Shelton doesn't like it because "people don't talk that way; I was trying to hook an actor" even though he likes to write soliloquys and he thinks Bull Durham is about "a love story between people who like to talk."
I also believe that, despite the deletions, that Davis really does believe in long foreplay, show tunes, voting every election and chocolate chip cookies. I also believe that he might have started a Thomas Pynchon novel, but probably never finished it, and that Susan Sontag was substituted because somebody decided that anybody going to a baseball movie wouldn't know who he was...but might have a brushed-back acquaintance with Sontag. Anyway, that pitch is a little wild.
I believe that Kevin Costner does a fine job of it, taking it casually, even though he knew full well that he was handed "one of the greatest speeches in movies and I never thought I did it right..." In his commentary track, Costner is more self-effacing: "She (Susan Sarandon) drives the whole thing."
Opening Day is this week.
The Set-Up: The Durham Bulls minor league season is starting, and try-outs are underway. It is the yoke of catcher Crash Davis (Kevin Costner), a twelve year veteran who'd once been in the majors ("The Show"—"the 21 greatest days of my life") that he be assigned to mentor hot-shot pitcher Ebby Calvin LaLoosh (Tim Robbins)—"a million dollar arm, but a five-cent head")—to try to control his erratic throwing. Concurrently, Annie Savoy (Susan Sarandon), is conducting her own try-outs.
Batter up.
NUKE AND CRASH SIT ON OPPOSITE ENDS OF HER COUCH --
Both men
look around the room with wonder. Nuke is clearly more nervous
than Crash, who's been in some strange rooms in his minor
league career.
ANNIE SAVOY: These are the ground rules.
(beat)
ANNIE: I hook up with one guy a season -- I
mean it takes me a couple of weeks
to pick the guy -- kinda my own spring
training...
(beat) ANNIE: And, well, you two are the most
promising prospects of the season so
far.
(beat)
CRASH: Why don't
I get to choose?
ANNIE: Well, actually nobody on this planet
ever really chooses each other. I mean, it's
all a question of Quantum Physics, molecular...
ANNIE: ...attraction, and timing. I mean, there are laws we don't
understand that bring us together
and tear us apart.
ANNIE: You get three ants together, they can't do dick. You get 300 million of 'em, they can build a cathedral
CRASH: After 12 years in the minor leagues,
I don't tryout. Besides -- I don't
believe in Quantum Physics when it
comes to matters of the heart... or
loins.
Crash at the door. Annie's question is slightly taunting.
He stops, and speaks with both aloofness and passion:
CRASH (putting on his coat): Well, I believe in the soul, the cock, the
pussy, the small of a woman's back,
CRASH: ...and that the novels of Thomas
Pynchon Susan Sontag are self-indulgent, overrated
crap.
(beat)
CRASH: I believe that Lee Harvey Oswald
acted alone, I believe that there
oughtta be a constitutional amendment
outlawing Astro-turf and the
designated hitter,
CRASH: I believe in the
"sweet spot", voting every election,
soft core pornography, chocolate
chip cookies,
CRASH: opening your presents
on Christmas morning rather than
Christmas eve, and I believe in long,
slow, deep, soft, wet kisses that
last for 7 three days.
Crash heads out into the night.
NUKE: Hey -- what's all this molecule stuff?
ANNIE STANDS IN THE DOORWAY -- Crash is on the porch.
Nuke appears in the door.
NUKE: Who you calling a "boy"?
Crash walks out into the Durham night.
Nuke and Annie stand
in the doorway. She speaks softly to Nuke.
Words by Ron Shelton
Pictures by Bobby Byrne and Ron Shelton
Bull Durham is available on DVD and Blu-Ray from M-G-M Home Video and The Criterion Collection.
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