The Story: Sam Peckinpah's film of The Wild Bunch has a reputation. A revisionist Western, it makes no distinctions between "black hats" and "white hats"—everyone in it is corrupt and have no qualms about crossing lines of the law or morality. Greed is the overarching motivation for both those law-abiding and law-breaking. It's gritty, it's grimy, profane, and bloody. It's violence is what it's known for, and it's depiction of violence—inspired by the final shoot-out in Bonnie and Clyde, but done on an epic scale—which Peckinpah championed for its more realistic depiction of violence, hoping that it would de-romanticize the movie's depictions of violence by firearm. If anything, it did just the opposite. Probably another reason Peckinpah drank.
But, those looking to see a carnage-fest in The Wild Bunch will—for the most part—be disappointed. Mostly it's a film of men talking. With an unrelenting cruel-streak running through it. Time's are changing. It's 1913, after all, and the century has heaved into being with the black smoke of the industrial revolution and was seeing the "Gilded Age" tarnish before the world cracked in 1914 with the first World War.
The West had been conquered by the European White Man but still saw no signs of being "civilized." And in that context, the movie shows obstinate outlaws pondering their place in this new world—if they're pondering at all. The Bunch's leader, Pike Bishop sees the world totally corrupted, and, in his own way, tries to hold fast to certain romantic notions about loyalty and a man's word...even if that man travels outside the Law This scene crystallizes that conflict, and maybe explains why they take the actions they do. I haven't corrected the misspellings and typo's from Peckinpah's final draft. For some reason, I found all the errors charming, and I imagine it was due to having a bottle as a writing partner. Inevitable on-set paraphrasing and additions are in GREEN. But, I saved the mistakes. Authenticity.
One peculiar aspect while putting this one together—Peckinpah's editing, done with editor Lou Lombardo. I try to pick out the best images to show, but sometimes for a complete shot, I'll take a beginning frame and an ending frame just to show the territoy covered in that camera placement. With The Wild Bunch, I would think that the perfect end shot would be coming up, but Peckinpah had already made his edit and gone to the next shot. So, I'd rewind, get ready again and...Peckinpah had already moved on. I kept missing that last frame and it happend consistently enough that it ocurred to me that the director was in a hurry to move on
It may be why The Wild Bunch—both in its studio edit and in Peckinpah's original cut—the movie never, ever drags. And keeps surprising with each viewing.
The Set-Up: After a disastrous robbery in which their gang was ambushed (with lots of civilian casualties and only bags of washers to show for it) by a rag-tag mercenary group funded by a railroad magnate, the criminal gang led by Pike Bishop (William Holden) is on the run to Mexico, where they may have dealings with a corrupt warlord. But, the journey is long, giving the remaining members of the gang--Bishop, Dutch Engstrom (Ernest Borgnine), the Gortch brothers, Lyle (Warren Oates) and Tector (Ben Johnson), Angel (Jaime Sánchez), and Freddy Sykes (Edmond O'Brien)--a rare down-time to reflect and to fracture. Right before this scene, Pike has been speculating about what life will be like after this job. Maybe robbing an army payroll—"I'd like to make one good score and back off" "Back off to what?" asks his incredulous partner-in-crime Dutch, as if going straight was ever an option. "They'll be waiting for you," Dutch warns. "I wouldn't have it any other way" is Pike's reply.
Action.
CUT TO:
137 EXT.. PIKE'S CAMP - NIGHT
PIKE So I made him change
his ways -- when you do that to a
narrow man -- he can't live with it -
from then on he's got to change you --
break you -- just to prove he's right --
DUTCH
(after a long moment)
And you -- and me How about us, Pike? DUTCH --did you reckon we learn --
PIKE
.(softly)
That toothless old wreck was a real
gun about twenty years back --
used to run with Thornton and me,
killed his share and more --
PIKE around
----Langery -- Ambushed stages all along
that old board highway.,.He had those
Swede immigrants so scared theyQd
starve rather than go to town and
buy beans for their kids, and there
wasn't a sheriff in the territory
to take issue
THE SAND IS LOOSE AND THE FOOTING EXTREMELY DIFFICULT as they
start down in single file, Sykes is last, he leads his own
horse, a pack animal, and three of the empties.
SUDDENLY SYKES SLIPS AND LOSES HIS-FOOTING. He falls
FORWARD:
PULLING THE FIVE HORSES DOWN WITH HIM..
LYLE What's wrong with you?
TECTOR STANDS,. CURSES AT SYKES,. then picks up a. stone
and throws it at.the old man who is hit and falls
backward.
THE OTHER N'EN LOOK DOWN AT HIM AS TEEM MOUNT.
Dutch,
ready to mount his horse hesitates, but doesn't move to
help.
PIKE STRUGGLES TO HIS FEET. None of them move forward
to help him and he doesn't expect them to. He is
visibly miserable as he recovers the reins of his
animal and tears off the.broken leather.
LYLE AND TECTOR GRIN A LITTLE.
Sykes turns away.
PIKE LOOKS AT THEM, THEN STEPS onto the makeshift stirrup
and mounts, concealing his pain, taking a few seconds to
gather up the reins
The Wild BunchWords by Walon Green, Roy N. Sickner, and Sam Peckinpah
Pictures by Lucien Ballard and Sam Peckinpah
The Wild Bunch is available on DVD and Blu-Ray from Warner Entertainment.
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