Sunday, June 11, 2023

Don't Make a Scene: The Fugitive (1993)

The Story: Andrew Davis' film of The Fugitive took the skeleton core of the hit 1960's television show (starring David Janssen) that ran for 120 one-hour episodes and squeezed it into a two hour film, updating it with modern technology and updated police methods. 

But, it still had the basic one fugitive/one cop pursuing him formula that had been inspired by Victor Hugo's "Les Miserables" as the major dynamic running it.

Of course, the movie couldn't create the weekly tension of the original, where over four seasons it seemed like the encounters between pursuer and pursued seemed to get more frequent. Instead, it created a complex conspiracy involving a pharmaceutical company trying to enhance its profits by any means necessary.*
 
The only specific incident the two "Fugitives" shared was a close encounter at a prison facility where Kimble checks out an inmate that has one arm, a visit resulting in a near-miss encounter with his pursuers. But, it also replicated, in a quite deliberate shorthand, the attitude of the one pursuer "obsessed with his capture" (as the narration on the old show would remind us repeatedly).
 
Let me explain: the audience always knew that Kimble was innocent and that his wife was killed by a "one-armed man" that he saw leaving his house on the night of his wife's murder. But, the "office-in-charge"—both of them named Gerard (although christened "Philip" in the TV series and "Sam" in the movie)—were unconcerned whether Kimble was innocent or not. From Episode 1 of the TV series and throughout its run "Philip Gerard" would state it didn't matter whether Kimble was innocent or guilty, he was a convicted murderer scheduled for execution and his job was to find him and arrest him and send him back to Death Row.** In the TV series, Gerard became, despite his position with The Law, almost a villain of the piece, as his pursuit was cold and without any consideration for Kimble's plight. Gerard had a job to do and he was going to do it.
 
The movie's Gerard is a man of fewer words; He simply states "I don't care" —which was a line that Tommy Lee Jones came up with on set—when Kimble protests his innocence. Actually, a lot of this scene (in the typically Green color) contain lines that were worked out during filming and do not appear in the published script. Jones won the Oscar for the role, quite deservedly considering how much he helped re-write it.

You'll also notice that, as opposed to the script, Gerard confronts Kimble alone, without any back-up—probably just to enhance that sense of adversarial drama.

The DVD of The Fugitive contains an commentary track with director Davis and Jones (who doesn't say much on it), but when he does it's usually very pertinent as, at one point, right before today's scene he says "This movie's a lot of fun to watch!"

It is, indeed. Both versions are, in fact.
 
The Set-Up: Dr. Richard Kimble (Harrison Ford) is a fugitive on the run, after escaping from police custody during a horrific bus/train accident involving the transport that was taking him to the Death Row facility where he was to be executed for the murder of his wife. In charge of the man-hunt is U.S. Marshall Sam Gerard (Tommy Lee Jones), determined to find Kimble whatever it takes, and despite the consideration that Kimble is innocent of the crime he was convicted of. At one point, during the chase, Gerard and his team pursue Kimble through the spillways of a dam, where the two men come face-to-face for the first time.
 
Action.
 
INT. CONDUIT - DAY 
Gerard.
Probing a branch-off tunnel with his light.
About to pass, he notices scrapings on the mossy walls of the branch-off tunnel.
Hand marks?
GERARD (into radio) Got a possible here. Stand by
He stows his light but hangs onto the Glock. Bracing with three limbs 
INT. DOWNSLOPE CONDUIT - DAY 
Gerard begins the tricky descent. Slips once. Recovers. Slips again... ... and tumbles out of control. 
GUN and RADIO CLATTER AWAY. 
Scrabbling for purchase, he finally snags An overhead pipe.
Gerard stabilizes.
Sweeps his light to locate his Glock, lying down-tunnel. He eases toward it. 
But another hand gets there first. 
It's Kimble.
Face dark and desperate.
Dangerous.
Hand flexing on the pistol. 
They lock eyes for a beat. 
KIMBLE I didn't kill my wife. 
GERARD So, you didn't kill your wife. I...don't...care.*
Not my problem.
An adrenal beat.
For a moment they hold a look. 
Then the silence is broken by Gerard's radio
BIGGS (V.O.) Gerard? You there? 
Gerard looks for his radio,
then back at Kimble - he's gone. 
Instantly Gerard reaches for his ankle -
and pulls a back-up piece. 
INT. CONDUIT - DAY 
As Renfro hears FOOTSTEPS POUNDING his way
ANOTHER ANGLE 
Gerard charges down the tunnel. From a side tunnel, Renfro appears, almost colliding. Biggs follows... 
GERARD Straight ahead! 
INT. CONDUIT - DAY 
Kimble sticks Gerard's gun into his waist band to balance in the tunnel.
He spills around a corner and stops.

Ahead lies an orb of light. The tunnel ends. 
The NOISE is incredible. Kimble moves to the end of the tunnel and stops. 
KIMBLE'S POV 
Water pours from the tunnel into the spillway of Barkley dam disappearing into a veil of mist below - a great cauldron of mists.
No rocks. None visible at least. He hears the MARSHALS behind him - 
COMING CLOSER. ANGLE - MARSHALS Gerard and Renfro turn the corner.
Renfro GERARD drops into a shooting stance. 
GERARD Put that gun down!
GERARD PUT THAT GUN...
GERARD ...DOWN!

GERARD NOW!
GERARD
HANDS UP!
GERARD Turn around, hands over your head. And get down on the ground.
HOLD UP YOUR HANDS!
GERARD TURN AROUND!
For a moment Kimble eyes Gerard. 
GERARD Your choice, Kimble... 
GERARD RICHARD...
GERARD ...DO YOU WANNA GET SHOT?
Kimble turns his back on the Marshals, stares again at the water. 

GERARD PAY ATTENTION!
Slowly he puts his hands over his head. 

Gerard puts up his gun and pulls his handcuffs. He moves through the water toward Kimble. 
GERARD
Get down on your knees. 
GERARD
RIGHT NOW! 
Kimble bends slowly, 
stares down into the falls,
hears the footsteps get closer,
then does the unthinkable. 
He jumps. 
EXT. BARKLEY DAM - DAY 
Biggs moving to the top of the massive dam sees Kimble leap into the sheet of water spilling over dam and
disappear into the mists below. 
He can't believe his eyes. 
INT. DRAINAGE CONDUIT - DAY Renfro lowers his gun
RENFRO (amazed) Son of a bitch... 
It's the most amazing thing he's ever seen... 
ON GERARD He stands at the mouth of the tunnel staring down. He stares down into the mists.
Impressed. It has told him something invaluable about this fugitive.
COSMO RENFRO Sam!
COSMO
Sam!
COSMO
Woh!
COSMO
What happened? Where'd he go?
GERARD The guy did a "Peter Pan" right here offa this dam...
GERARD
...right here
COSMO  What?
GERARD
Yeah! BOOM!
COSMO
Holy SHIT!
COSMO
Alright...
COSMO ...we go home now?
GERARD
No!
GERARD No.
COSMO
Holy Shit!
The Fugitive (1993)
 
Words by Jeb Stuart and David Twohy
 
 
The Fugitive is available on DVD and Blu-Ray from Warner Brother Entertainment.

 Today's scene starts at 1:55 on the video.
 
 
* Hey, did you know that pharmaceutical company has a web-site? Oh, those crazy inter-webs!
 
** The Story: Lt. Gerard explains it all for you.
 
What was broadcast on American TV for the premier episode was actually the second attempt to film this scene where Gerard explains himself. In Ed Robertson's book "The Fugitive Recaptured" it is revealed that the following scene had been re-shot, as the first version made Gerard seem "almost psychotic." The subsequent version softened his character, but not his resolve to do his job. 

The Set-up: The series intro: "The Fugitive, a QM Production ... starring David Janssen as Dr. Richard Kimble, an innocent victim of blind justice. Falsely convicted for the murder of his wife ... reprieved by fate when a train wreck freed him en route to the death house ... freed him to hide in lonely desperation ... to change his identity ... to toil at many jobs ... freed him to search for a one-armed man he saw leave the scene of the crime ... freed him to run before the relentless pursuit of the police lieutenant (Barry Morse) obsessed with his capture."
LT. PHILIP GERARD: Somewhere in here. I'm sure of it.
CAPT. CARPENTER: What about Mexico? 
CAPT. CARPENTER:
He's near enough.
GERARD:
No, he'd be "The Yanqui." Someone different.
CARPENTER:
Gerard, when are you due for a vacation?
GERARD:
I'm not taking my vacation, Captain. Later. I will later.
GERARD:
East, South, Mid-west. Every report verified.
CARPENTER: By the time you arrived.
GERARD: One day, he'll be there.
CARPENTER: Phil, from the very beginning, the arrest,
all through the trial, the appeals, and the accident. Why? 
CARPENTER: What is it about Kimble?
GERARD:
I enforce the law. The law pronounced him guilty... I enforce the law.
CARPENTER: What are you trying to convince yourself of? I remember his defense. The man with one arm running from the direction of the house.
CARPENTER:
Phil, I'm beginning to think you believe there was such a man.
GERARD:
No. I did everything I could to find him.
CARPENTER:
Meaning that he didn't exist? Or that he escaped?
CARPENTER: And if he did escape, 
CARPENTER: ...
the law made a mistake.
GERARD: Captain, w
hether the law was right or wrong of convicting him is not my concern. Let others debate and conclude... I obey. 
GERARD:
But when I begin to question, doubt... 
GERARD:
I can't permit it. 
GERARD:
Others found him guilty, others were about to execute him. 
GERARD: I was merely an instrument of the law... 
GERARD: and am..
GERARD:
And Dr. Kimble must be found.
The Fugitive (Season 1, Episode 1, "Fear in a Desert City"
 
 
 
"The Fugitive" is available on DVD from Paramount Home Entertainment.
 

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