But, I wanted to repeat this one because it is hopeful, but realistic—sentimental, but not filtered with falsely rose-colored lenses. "Times are haad." We shouldn't be fooled, not even by ourselves.
Oh...and Affleck released another movie since this was written—Live By Night, which just showed that everybody's fallible and nobody hits it out of the park consistently. That's good for growth.
But as a writer...and as a director...I think he's sensational, maybe one of our best. Judging from just three feature films.
Everybody knows what a splash he made with Argo (the weakest of his films, in my opinion, although there is a lot of good in it), and his second film, The Town, was a modern take on the old gangster films that tested a man's loyalty to his past, his upbringing, and society at large—a story of growing up and growing out within a criminal gang. My favorite of the three, his debut as a director, Gone Baby Gone, (based on the novel by Dennis Lehane) tells the story of two Boston townies (Casey Affleck, Michelle Monaghan), private detectives, who are asked to investigate the disappearance of a little girl from the house of her dirt-bag mother (Amy Ryan), possibly as revenge for her part in ripping off a local drug dealer.
Even as the movie starts, Affleck and his cinematographer set up the scheme with which they'll shoot the movie: crowded, complicated, piece-meal, slices of life, filled with grit. This opening montage, overlayed with Casey Affleck's monotone narration spoken in a high rasp, of everyday people, looking, constantly looking, interacting, watching their backs, their neighbors' backs, cuts through the strata of Boston life, and includes lots of kids mingling in the play-yards and the city-streets, until it lands on a "still-life"—the picture in a shop-window of the child missing in the investigation, and with that, the meditation ends and the story proper begins.
The Set-Up: Nothing. The movie's just started.
Action!
Unused sections of the script are in RED.
CREDIT SEQUENCE
As they continue, the hour gets progressively later in the day until the final sequence which takes place at night.
Over this we hear our guy, PATRICK (30) .
PATRICK (V.0.) ...how you could get to heaven...
EXT. MCCREADY THREE DECKER - NIGHT
A playground at night, completely empty. One of the swings drifts back and forth . . .
A playground at night, completely empty. One of the swings drifts back and forth . . .
Gone Baby Gone
Words by Ben Affleck and Aaron Stockard
Pictures by John Toll and Ben Affleck
Gone Baby Gone is available on DVD from Miramax Home Video.
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