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...with merely the Wind of his Righteous Invective.
"Dear me. What an outburst."
This scene is relatively calm. But it still seethes.
By now, thanks to TV, we've gotten used to Big Corridor Conversations, laced with arcane medical jargon that would choke Dr. Kildare, delivered with a furrowed brow (to disguise the poor actor's panic), but The Hospital was something else back in the day. It's Oscar-winning script was full of vituperative denunciations, a steady drip of medical terminology, and a turbulent social satire on a medical system that could simultaneously perform miracles by design and murder by bureaucracy. It could be seen as a cry for medical reform...what?...nearly forty years ago? (Let's say that again...FORTY years ago) It was also taking advantage of grittier depictions of surgical life (thanks to Robert Altman's M*A*S*H) by showing bloody gowns and open chests.
And hospital humor that was, well...sick.
But in 1971, this was hip and happening and now, baby—which sounds like some of the dialog from this movie. Try as Chayefsky might, he did not have a good grasp of youth culture.
Neither did George C. Scott, who was Oscar-nominated for this performance (not that it mattered to him). He has two other speeches in this scenario...another Corr-Con that ends with a ferocious "I mean...where do you train your nurses, Mrs. Christie—Dachau?!!" and a somewhat embarrassing monologue equating medical impotence with male menopause...but Scott makes it work and work brilliantly. He can be counted on to make the material better than it is.
But this is a great scene with a great point and some poignancy for the continuing factory-like nature of most modern hospitals and their co-pay-conspirators, the insurance companies. You say you want a revolution? We'd all love to see the plan.
The Set-Up: It's been a bad day for Dr. Howard Bock (George C. Scott), Chief of Medicine at a Manhattan teaching hospital. He's down a member of his staff. Seems a temp nurse mistook him for a patient and killed him. That's bad. He's also depressed and going through a messy divorce. That's bad. He's not exactly the go-to guy for advice, but Dr. Brubaker (Robert Walden) has an ethical and procedural question for Bock. His timing could be better.
Action.
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Bock: Never mind the professional ethics. What happened?
Brubaker: (Brubaker sighs) I don't know why I'm covering up for that son of a bitch in Farkis Pavilion anyway. The patient, a man of 56, was admitted to the hospital 10 days ago in good health for a check-up. No visible distress. We did the mandatory work-up on him: Blood cultures, stools, LE preps, chest EKG—all negative. However, there was some evidence of protein in his urine. I don't know how that son of a bitch in Farkis Pavilion found out about it. Maybe he had one of, uh, a deal with one of the girls in the lab. Anyway...
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Brubaker: Some post-grad guy named Ives, sir. Elroy Ives. I never met him. He's on one of the immunology research programs.
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Brubaker: Yes, sir. He conned Biegelman with that old story about...
Bock: Protein in the urine.
Brubaker: Yes, sir!
Bock: And he biopsied the man?
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Brubaker: You ain't heard nothing yet. We finally got Welbeck around four in the morning. He said go ahead, so they laid down the surgery for 8. Welbeck shows up half-stoned, orders up an IVP, clears him for allergies...
Bock: Without actually testing...
Brubaker: Right.
Bock: And the patient went into shock.
Brubaker: And tubular necrosis. They lopped out the bleeding kidney, ran him back to the room, we sat around waiting for urine. Fever began spiking like hell, uremia, vomiting. So we arranged hemodialysis. Well, he's putting out good water now. But some nurse goofed on his last treatment.
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Brubaker: Ives, sir. Elroy Ives.
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Brubaker holds his head.
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The Hospital
Words by Paddy Chayefsky
Pictures by Victor J. Kemper and Arthur Hiller
The Hospital is available on DVD from MGM Home Entertainment.
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