The Story: "Look at Maury!" director-star Kevin Costner enthuses in the DVD commentary of this scene from Dances With Wolves. "Boy, he really chewed this scene up...and I mean that in the best possible way!"
That would be actor Maury Chaykin, who plays the clearly mad Major Fambrough, who sends Lt. John Dunbar to an abandoned fort and, more importantly in the sub-text, is the last man alive to know that Dunbar has been sent to the ends of civilization.
Temporarily.
Costner says in his commentary that he was thinking Marlon Brando for the part, but knew that the actor would be cost-prohibitive for a picture budgeted at just $10 million dollars. He lucked out getting Chaykin, who was a crazily inventive actor, who wasn't afraid to take chances and do things in a way nobody else would think of.
And the scene works—Costner underplays stringently here, lest the character of Fambrough be seen as someone comic rather than downright dangerous, and the character is just one of the many "civilized" individuals that would make "going Native" make sense. Dances With Wolves was always an indictment of what passes for "the settler experience" in most Westerns and its own radical, revolutionary way makes the case that Manifest Destiny was just another Myth of the West along with all the other outlaws.
The Set-Up: Lt. John J. Dunbar (Kevin Costner), is now a commissioned officer for the unlikeliest of reasons—wanting to commit suicide rather than lose a leg due to a battle wound, his act rallied wary Union troops to a victory in a stalemated campaign. For that, he gets a choice of commissions and he goes to meet the commanding officer (Maury Chaykin), who will give the orders that will change his life...forever.
Action.
DUNBAR (V.O.)
The strangeness of this life cannot
be measured.
DUNBAR (V.O.) I was also awarded Cisco, the trusty mount that carried me across the field that very day.
DUNBAR (V.O.) The bloody slaughter continues in the East as I arrive at Fort Hays...
In the distance we can see an isolated and dreary
military post.
The sky is very blue. The sun is bright. A rough-hewn,
unfenced fort is straight ahead.
DUNBAR (V.O.) ...a tiny island of men and materials surrounded by a never-ending sea of prairie.
There are several miscellaneous stone structures, a well-stocked stable, barracks, officer's quarters and in the center
of it all, a headquarters building.
Lieutenant Dunbar, riding straight and tall on his powerfully
built buckskin, Cisco, passes into view. He's headed for the
center of the fort.
Silhouetted against the outside, Lieutenant Dunbar pauses in
the wide doorway of headquarters. We can hear the distant
sounds of work and life coming from the outside but in here
it's strangely quiet.
A SERGEANT sits at a desk in the foyer. Across the way, at
another desk, is an enlisted CLERK. Both men glance from
their paperwork at the man in the doorway. But it's only a
glance and they go right on shuffling paper.
Footfalls sound in a hallway and a blue-eyed officer with
slick, black hair swings into the foyer. He too has a
slackness that echoes the dreariness of this post.
The blue-eyed officer, LIEUTENANT ELGIN, and Dunbar meet at
the doorway. Dunbar glances down at a scrap of paper in his
hand.
Being roughly the same age and rank these two might idle
awhile, but Dunbar is eager. He's already moving.
INT. FAMBROUGH'S OFFICE - DAY
He arches an eyebrow, challenging the lieutenant. He has sad
swollen eyes. He is an army lifer passed over too many times
for promotion and right now does not look like a well man.
Fambrough returns to the order. Dunbar watches him in silence.
The major's tunic is covered with food stains. Sweat has
broken out all over his head. FAMBROUGH Yes.
His grooming is awful. His
hands are trembling slightly. Something is very wrong with
him.
Now the major sees something on the official paper. He looks
quickly at the lieutenant, then back at the paper, moving
his lips but making no sound.
DUNBAR
Yes sir.
Still sly, Fambrough digs into a side drawer. There is the
distinct clink of glass on glass as he rummages. Now Fambrough
has what he wants, a blank official form. He begins to fill
it out, writing in a disturbingly childish way.
He looks over his work with a schoolboy's excitement and
affixes his signature with a wild flourish.
DUNBAR
No sir, it's just that I don't know.
The major turns in his chair to stare through a single, dusty
window. He can see a teamster outside, tying down canvas on
a heavily-loaded wagon.
The lieutenant starts for the door.
Fambrough is standing in front of his
desk. There's a large, dark splotch on the major's trouser
front.
He jams both of his hands into the front of his pants and
giggles.
Words by Michael Blake
Pictures by Dean Semler and Kevin Costner
Dances With Wolves is available on DVD and Blu-Ray from M-G-M Home Entertainment.
No comments:
Post a Comment