Sunday, August 20, 2023

Don't Make a Scene: Dr. No

 
I've been in "a mood" lately. So, I thought, how about another one? Like one of the few instances when James Bond killed in cold blood in the first film in the series, Dr. No? He can do that; he has a licence. It's not a nice thing to do, but when dealing with international intrigues of a suspicious nature, sometimes one has to be a bit blunt.

Bond knows he has a target on his back—someone has already tried to kill him once (death by tarantulation), and he doesn't intend that there's a second time. He knows he's been lured to a trap—a honey trap—but, now he intends to end the evening by turning the tables on the man trying to kill him. 

He won't be stood up.

The cold-bloodedness in the kill is less that he shoots the "bad" Professor when he knows he's basically unarmed...or that he shoots him in the back when he's down...for good measure. After all, Professor Dent went to the place to kill him and fired six shots to make sure the job was done. Dent was the aggressor here.

It's the way he sets the trap. He sets up the scene of an assignation (complete with whiskeys and casual clothing removal), moves the pillows to make a credible shape in the bed—an easy, drunken, drowsy target—then once Dent has emptied his magazine clip, reveals his presence, and gathers information, all the while keeping his gun ready for use.

Then...he lures him in. Preoccupying himself with getting rid of the lamp-switch, getting a cigarette and lighting it—he knows Dent will make a desperate play, but he also knows he has an empty weapon. And once he gets a confession, he lets down his guard enough for Dent to make his impotent play...tells him he's stupid (basically) and shoots him dead with two shots. Then, fires a third.

That is just cold.

He lets the guy hang himself and pulls the trap.

Cold.
 
The Set-Up: Station "J"-Jamaica has gone silent. The British Secret Service has dispatched one of it's licenced-to-kill agents James Bond (Sean Connery) to investigate. The agent, Strangways, was investigating the "toppling" of American missile launches from Cape Canaveral and disappeared. Bond will pick up the investigation, but with the added agenda of finding whoever killed Strangways and...dealing with him. Bond has been lured to the apartment of the secretary of one Professor Dent (Anthony Dawson*), whom he is deeply suspicious of. Bond keeps his date, but, after dispatching the secretary to the local authorities, decides to relax at her apartment...in case of any unexpected guests.
 
Action.
 
131. INT. MISS TAROS APARTMENT. NIGHT. 
BOND reenters, still humming, closes door,
fetches two glasses,
pours a little whiskey into each,
places them beside two chairs,
moves towards bedroom after taking off coat
and hanging it careful! on back of one of the chairs.
Switches off lights.
Coat is in light from windows. 
132. INT. MISS TAROS BEDROOM. NIGHT. 
BOND enters, carefully leaving door just off catch. He switches on record-player
around switches off lights so that this room, also, is in semidarkness, loosens gun in holster, checks time on luminous watch,
goes over to already rumpled bed, pulls back sheet. 
133. EXT. MISS TAROS HOUSE. NIGHT. 
We see a dark figure hurrying inside. 
134. INT. OUSIDE MISS TAROS DOOR. NIGHT. 
CAMERA picks up figure from angle at which we do not see his face, just as his hand switches off light in passage. FIGURE goes to door of MISS TARO's. 
Listens, Carefully takes out key - opens door with infinite precaution.
When door is open,
takes out gun (silencer)
looks inside,
sees overcoat and glasses. Hears music from the bedroom, he enters. 
135. INT. MISS TAROS. NIGHT. 
FIGURE glances round - see bedroom door ajar - creeps over, listens -
pushes door gently open - peers round door - sees barely visible dark forms under sheet. 
KICKS DOOR OPEN - raises gun
and fires into forms
(silenced "coughing" shots- which, done properly, can sound horrible.) 
135. Continued. 
BOND
(out of darkness) Drop it, Professor. Hands behind you.
The room springs to life as the light comes on. 
BOND is seated in chair, one leg over the arm - left hand on table light switch...Walther in right. 
BOND
(nonchalantly) Good evening..It's funny...I thought you'd be along show up sooner or later.
BOND
Sit down.
DENT
The girl talked?
BOND
But of course.
BOND
No. You gave yourself away. I was suspicious at the Queen's Club anyhow 
BOND - when it turned out you were the only one...
BOND
...
who'd seen Strangways' new secretary
BOND
and then later at the lab...
BOND
you made no reference 
BOND
to the fact 
BOND
that Strangways' samples
BOND
were radio-active. radio- active samples were worthless ... well 
DENT
Very clever, Mr. Bond...
DENT
but you're up against more than you know...
BOND
you shoot me, and you'll end up like Strangways . . 
BOND
So it was you who killed him. Then, you killed him?
DENT
He was killed...never mind how. 
71. As he talks, we see DENT edging imperceptible nearer to his gun on the floor. 
BOND goes on talking, seemingly oblivious of DENT's manoeuvering. 
BOND
Who are you working for, Professor? 
DENT
(we get the impression he is talking to distract BOND's attention as he moves towards his gun) I may as well tell you...You may as well know as you won't live to use the information...
DENT
I'm working for...
135. Continued. 
He makes a sudden swift movement towards his gun,
picks it up and levels it at BOND. As his finger tightens on the trigger. 
DENT (contd. ) (triumphantly) ... Dr. No! · 
His finger tightens on the trigger, but the hammer clicks down on an empty chamber. 
BOND
Only six bullets in a Smith and Wesson, Professor ... and I counted them ... That's a Smith and Wesson...
BOND
And you've had your six.
72. He raises his own gun deliberately, 
squeezes the trigger. 
DENT spins backwards as if somebody has kicked him, slamming up against a flimsy Chinese table
and crushing it as he collapses.
He rolls right over onto his back...brings his legs up under his chin and an agonised convulsion...
shoots them straight out
...and then lies still. 
BOND raises and crosses to him. 
He doesn't need to examine him closely,
knowing exactly where he's hit him. 
He blows the fumes away from his gun, and goes to the bed, where we see two interlaced "forms" made from the bolster and pillow.
They are ripped by shots, charred round the edges of the holes, and feathers are scattered.
BOND Picks up the phone and dials.
His eyes are hard.

Dr. No

Words by Richard Maibaum, Johanna Harwood, and Berkley Mather

Pictures by Ted Moore and Terence Young

Dr. No is available on DVD and Blu-Ray from Fox Home Video.


* Dawson was one of those character actors who "got around"—he was the hired strangler of Grace Kelly in Dial 'M' For Murder, and in the Bond series, he played the obscured form of SPECTRE #1, Ernst Stavro Blofeld, in both From Russia With Love and Thunderball.

2 comments: