Showing posts with label 1989. Show all posts
Showing posts with label 1989. Show all posts

Sunday, June 15, 2025

Don't Make a Scene: Indiana Jones and the Last Crusade

The Story:
First off, Happy Father's Day. As such, here's a scene about...a father.
 
So, it didn't hit me when I first saw Indiana Jones and the Last Crusade (in a theater) how significant this scene was. An awful lot (as per Steven Spielberg action movies) had happened. There'd been a lot of bickering between father and son with some teasing of reconciliation that usually fell back into bickering. It became a trope, a trademark, in order to keep up the pretense. I started to ignore it.
 
It was years before the importance here struck me. For the entire movie, Indy's father had been insisting on calling his son "Junior"—he is, after all, Dr. Henry Jones, Jr.—to the point of irritation ("we called the dog "Indiana!"). But, it's only here—to snap back his son's distracted, obsessive attention—that Professor Jones calls him what everybody else in the world calls him—his nickname, "Indiana". 
 
Now, Indy's father had been pursuing the Grail his entire life...to the point of being an absent-minded father and ignorant of his late wife's illness. And here he is, watching his son risk his own life for the very thing that made a mess of his own. And he puts aside his ego, his life's work, his rather dismissive view of "Junior", he puts aside everything...to save his son. That is a pretty significant character moment and done in about 30 seconds. 
 
And, of course, there's the back-story of why Sean Connery plays Indiana Jones' father. Director Spielberg was vacationing in Hawaii with George Lucas—the eventual producer of the "Indy" films—right after Lucas' Star Wars had opened. Lucas (who was not fond of directing) asked Spielberg if there was some kind of movie he really wanted to make. Spielberg admitted he'd always wanted to direct a James Bond film (and had pursued directing The Spy Who Loved Me only to be rebuffed by Bond producer Albert Broccoli). 
 
Lucas replied "I have something better than Bond!" that being Indiana Jones, which he'd been developing with Philip Kaufman. And, of course, Spielberg said "yes" and finished developing the project. So when the time came to cast the father of Indiana Jones? Who better than Sean Connery, the original film James Bond. It's a great story and Ford and Connery made a great team.
 
One last thought. Has it occurred to anybody that the Indiana Jones series is all about loss?
  
The Set-Up: The quest for the Holy Grail, the chalice Jesus Christ used at The Last Supper, has been a life-long obsession for Professor Henry Jones (Sean Connery), but now, in 1944, he has gone missing and his son, Dr. Henry "Indiana" Jones, Jr. (Harrison Ford) must retrace his father's steps to find him. At the end of the adventure, the two men, father and son—and not always on the best of terms—have found the grail. But, the circumstances are dire. And some generational divides, wider than chasms, need to be crossed.
 
Action. 
 
Now the ledge Indy lies upon begins to break apart. 
Henry grabs one of his hands 
as Indy struggles to reach the Grail with the other. 
HENRY
Junior, give me your other hand! 
HENRY
I can't hold on!! 
INDY
I can get it -- 
INDY I can almost reach it, Dad. 
Indy looks down into the black bottomless pit beneath him from which nothing can ever be retrieved. 
HENRY
Indiana. 
HENRY
Indiana!! 
Indy snaps his look up to his father. 
His father has never called him this before. 
HENRY
(very calmly) ...let it go... 
Indy abandons the Grail 
...and grabs onto Henry with both hands. 
Henry pulls him up... 
...to safety.

 
 
 
Indiana Jones and the Last Crusade is available on DVD, Blu-Ray and 4KUHD from Paramount Home Video. 

 

* So, hey, how come no one's asked Spielberg to do the first Amazon Bond film? Seems like an obvious idea to me!

Sunday, February 9, 2025

Don't Make a Scene: Say Anything

The Story: Happy Valentine's Day...up-coming.
 
So, why not a romance film this week to celebrate? And how about a scene where people profess their love for one another? Perfect!
 
How about "the break-up" scene from Say Anything

(crickets)
 
You know, the "I gave her my heart and she gave me a pen" scene?  That's a great summation—although it comes later in the movie when John Cusack's Lloyd Dobler is driving around nowhere taping a monologue (for posterity?) trying to catalogue his thoughts. But, it's a kind of "bottom-line" summation. There's a lot going on in this scene (bad timing being one of them). But, writer-director Cameron Crowe kind of nails it. The interrupted back-and-forths, the "you're-thinking-one-thing-and-they're-thinking-something-else" and the re-directs and cross-examinations, the long-jumps to conclusions, the slowness of emotional thoughts to register and change (then getting sucker-punched by a side-bar), the briar-patch of ephemera and the hollow arguments. It's written so well that it doesn't feel like a script at all. And Cusack and Skye go through expressions exaggerated and suppressed while trying "to keep it together."
 
But, you can never do that when things are coming apart.
 
For a movie called Say Anything..., there is so much that isn't said. And downright avoided. 

It's the perfect break-up scene (if such a thing is possible).
 
The Set-Up: Nice Guy Lloyd Dobler (John Cusack), has fallen in love with his High School class valedictorian Diane Court (Ione Skye), even if she IS going to be going overseas for college next term. Despite the limited time and his limited prospects in the eyes of her father (John Mahoney), things have been going alright in the romance department. Until Diane's dad gets investigated by the IRS, and then things get serious. Mr. Court suggests they break up so she can devote herself to her studies without any distractions...like Lloyd. Particularly Lloyd. And he suggests she give Lloyd a pen...so they can write to each other.
 
Action.
 
INT. LLOYD'S CAR - DAY
Lloyd is driving; Diane is sitting in the passenger seat. 
LLOYD Check your mail tomorrow. 
LLOYD
I sent you a letter, a letter. 
DIANE Your letter came yesterday. 
LLOYD It did? 
DIANE Uh-huh. It was wonderful. 
LLOYD Why didn't you tell me? 
DIANE It was wonderful. 
LLOYD I've never sent a letter like that, you know? I mean, 
LLOYD I felt like I wanted to tell you something, but I didn't put it in the letter, 
LLOYD ...and I didn't say it, but I want to say it now, I'm not sure if I should say it, you know, 
LLOYD 'cause people always say it and don't mean it, 
LLOYD but I think that I mean it, so, um, 
LLOYD I just wanted to tell you... 
DIANE No, we don't have to say it. 
LLOYD How do you know what I'm going to say? 
DIANE I don't know what you're going to say, 
DIANE
but I think that... 
LLOYD I was just going to tell you that I love you. 
LLOYD
I said it. 
DIANE I know. 
DIANE
Lloyd, 
DIANE
let's not start putting things on this level. 
LLOYD What? This is a good level, 
LLOYD
...
isn't it? 
DIANE
How can I look at you and say this? 
LLOYD
Say what? 
He leans over, kisses her, and smiles. 
DIANE
I think that we should spend some time apart. 
LLOYD
What's wrong? 
DIANE
Well, I need to study, and... 
LLOYD
You need to study? 
DIANE Yeah. 
LLOYD
Okay, how much time do you need? I mean, you know, I mean you'll be leaving in a little while, so that's answered some questions. (?) 
DIANE
We'll see. 
LLOYD
Okay. 
LLOYD
It's good knowing this. 
DIANE
Yeah, uh-huh. 
Lloyd brings the car to a full stop. 
LLOYD
Okay, wait a minute..
LLOYD
what did we just decide? 
DIANE
We decided... 
LLOYD
'Cause I'm worried, did you just break up with me? 
DIANE No, no. 
LLOYD
It sounded like you did. 
DIANE
No. We decided that we're friends. I mean, I know it's a terrible word... 
LLOYD
Well, if we're friends, why can't we see each other? 
DIANE
I think that we should stop going out... 
DIANE
...on dates.
LLOYD
Oooh...
LLOYD
I feel like a dick. 
LLOYD
You must think I'm a dick. 
DIANE
No, I don't, 
DIANE
I don't. 
LLOYD Yeah you do. 
DIANE
Lloyd, we shared the most intimate thing two people can share. 
LLOYD
You shared it with a dick. 
DIANE
No I didn't. 
LLOYD
Is this because of your dad? 
DIANE
No. 
LLOYD
Did you talk to Corey? 
DIANE
Why, did you tell Corey what happened? 
LLOYD
She figured it out. I'm sorry if that upsets you. 
DIANE
No, that's fine. She'll tell everybody, but that's fine. 
LLOYD Did you tell anybody? 
DIANE
Just my dad. 
LLOYD
You told your dad? 
DIANE
You have Corey and DC. I have my dad. 
LLOYD
What, I'm sorry I said that. 
LLOYD
Forget I said it, it's what I thought I meant, but forget it. 
DIANE
Lloyd, I love you, okay? 
LLOYD
What is that? What are you doing with your hands? 
LLOYD
Talk to me, you're talking like that girl Sheila. 
DIANE
Don't be mean, this is hard for me too. 
LLOYD
Then don't do it. 
DIANE
Oh shit. 
She turns away from him and takes the pen from her coat pocket. 
DIANE
Just take this pen please, and write me? 
She puts the pen on the car dashboard, and turns away again. 
LLOYD
I can't believe this; you just broke up with me. 
They both sit in silence.
 
 
Words by Cameron Crowe
 
 
Say Anything is available on DVD from Twentieth Century Fox Home Entertainment.