Showing posts with label 1938. Show all posts
Showing posts with label 1938. Show all posts

Wednesday, April 13, 2022

The Citadel

The Citadel (King Vidor, 1938) Dr. Andrew Manson (Robert Donat) gets off the train at the Welsh mining town of Blaenly in which he's been employed as an assistant, only to find the doctor he's working for, Page, is himself, lain up in bed. Not a good sign. He finds that in his new job he's poorly paid, and only has a small room to live in. And—as always in small towns—nobody trusts the new doctor or vet or priest or shopkeeper or whatever until he does them a good turn that seems miraculous. In small towns, trust is earned and then spread by word-of-mouth, just like a communicable disease.
 
That miraculous moment doesn't occur until, when he is called to a miner's home to deliver a child, he is confronted with the woman already having given birth, the child stillborn. But, Manson is able to resuscitate it and, for awhile, there is that trust in the community. Passed by word of mouth, trust is also communicable in small villages. He makes the acquaintance of another doctor, Denny (Ralph Richardson), who has been dealing with these issues longer and is quite cynical, a cynicism which is self-medicated with a healthy dose of alcohol. "No hospital, no X-ray, no ambulance, no anything. If you want to operate you use the kitchen table." The two compare notes on a pernicious cough that veteran miners have displayed while the two take patient calls.
A typhus epidemic, however, erupts throughout the town, devastating the community, and the two idealistic doctors decide that the best remedy is fight the source, trying to convince the mine owners of the danger of the sub-par sewer system, and then, when rebuffed, they decide to go to extremes, prescribe themselves some civil disobedience and blow it up, forcing the "do-as-little-as-possible" owners to have to replace it. The mine-owners had evidently taken a hypocritical oath. Denny tells Manson of a position to be filled in the mining town of Aberalaw, but holds little hope of being accepted as he's not a married man. Well, that's a bit of a problem. What's the remedy?
Well, it so happens the good doctor has made the acquaintance of the local school mistress, Christine Barlow (
Rosalind Russell), who's seen the good works the doctor provides her students, and the two decide to (for the betterment of Aberalaw, of course!) get hitched. The two work together, helping patients by day and by night studying the debilitating effects the mining industry has to the lungs of the community. He publishes his findings which are hailed by the medical community, but the miners—much like the mine-owners in Blaeny—are more concerned with how their livelihoods might be affected. So, they take a note from the doctor's past and before he can (maybe) blow up the mine, they ransack his office...because...the studies they don't like have already been published. Angry mobs are not so much concerned with timing. This is why they are miners and not scientists (rocket or otherwise).
Well, being the pariah of the community doesn't do much for one's medical practice no matter how altruistic, so doctor and wife move to London, deciding to set up a clinic in one of the city's poorer districts, because...hippocratic oath and humanitarianism and all that bleeding heart stuff (come to think of it, that's something I would call a doctor for!) And this is where the movie gets very interesting because at some point, he is persuaded by a school-friend of his (played by
Rex Harrison) to specialize in diseases of the rich and hypochondriacal—which is sort of a communicable disease among doctors...it doesn't blacken the lung so much as the soul.
Okay, it's 2022 and you're SO SUPERIOR for pointing out that a doctor specializing 
in Black Lung Disease is so smoking so cavalierly.

How will it turn out? Will the doctor heal himself of his over-charging frivolous ways to patients who'll pay through the nose (or any other orifice), or will he go back to helping the poor who resent him for trying to help them with things they don't want help with?
 
Do you want the movie answer, or the "real-world" answer?
 
See it twice and call me in the morning.

Sunday, February 20, 2022

Don't Make a Scene: Bringing Up Baby

I'd thought I'd re-posted all my "Don't Make a Scene" features from the olde site, but apparently I forgot one—and there was a good reason why: it was a special Valentine's Day edition. And it's still February! You have to take lucky breaks where you get them.

The Story: In the movies, in romantic comedies or romantic dramas, it's called "The Meet Cute." The two potential paramours collide...sometimes literally...into each other's orbits, and circle around each other, as if they were heavenly bodies caught in each other's gravity fields. They wobble, they parry, they dance...frequently against their will, and most often to one of their's frustration. But, they can't get free of each other; a screenwriter's contrivances are stronger than anything Einstein could come up with.

Here is one of the best, the "Meet Cute" of paleontologist David Huxley (Cary Grant) with Susan Vance (Katharine Hepburn) in Bringing Up Baby. He's buttoned down, conservative, neat, tidy (and probably brave, clean and reverent), concerned with dead things for a living and in need of growing up. Fly-by-night Susan Vance is his exact opposite: where he's studied, she's instinctual; he's deferential, she's aggressive; he's methodical, she's scatter-shot; he's a "details" guy, she's a generalist. Well, to get back to science, opposites attract...even if it's only trouble.

They complement each other, but their attraction seems to disrupt the Universe.  Disaster follows in their wake, which David cannot stand, much less fathom. It makes him crazy, frustrating him, and driving him to distraction. Constraints are broken down by Susan's anarchy and pretty soon he can't help but be in love. It's only logical—what in the hell would he been doing spending all this time with this girl if he wasn't.

Good thing, too. The order of his life—his work, his career, his impending wedding—is pretty neat and tidy, and in desperate need of being shaken up; Susan is his tornado. The two of them together resembles something of the real world, messy and chaotic but copable. More than that, Life is what happens when you're busy making other plans—Susan is the anarchic Life-force that disrupts David's lock-step march with Order and Death. 

But, of course, this is all sub-text in the details. The story is an old one. Boy Meets Girl. Boy Loses Mind.

And Heart.

♥Happy Valentine's Day♥
(Okay...6 days late!)

The Set-Up: On the day before his wedding to his colleague Miss Swallow, David Huxley (Cary Grant) is attempting to secure a million dollar donation for his dinosaur museum, playing golf with his potential benefactor's lawyer, a Mr. Peabody. Right off the tee, David has hooked his ball. And Susan Vance (Katharine Hepburn) has taken it and is about to play with it...so to speak.

Action!
DAVID HUXLEY: Oh, look. Loo..k..
DAVID: Hey that's my ball! Just a minute!
DAVID: Uh, say...
SUSAN VANCE: Well, here's hoping...
DAVID: I say! Just a minute, I beg your pardon...eh...
SUSAN swings and hits.
DAVID: Oh dear...
SUSAN: You shouldn't do that, y'know...
DAVID: But tha...What shouldn't I do?
SUSAN: Talk while someone's shooting.
DAVID: Yes, but that was my ball y...
SUSAN: Well, anyway, I forgive you, 'cuz I got a good shot.
DAVID: But, you don't understand...
SUSAN walks off, DAVID following.
SUSAN: See? There it is, right next to the pin.
DAVID: But...that has nothing to do with it...
SUSAN: Oh, are you playing through?
DAVID: No, I've just driven off the first tee...
SUSAN: (laughs) I see you're a stranger here. You should be over there. This is the 18th fairway and I'm right on the green.
DAVID: Yes, but...
SUSAN: If I sink this putt, I'm going to beat my record.

DAVID: (To Peabody, waiting on the first fairway) I'll be with you in a minute!!
DAVID: What kind of ball are you playing?
SUSAN: PGA.
DAVID: Well, I'm playing a Crowflight.
SUSAN: Hmm. I like the PGA better.
DAVID: I'm just trying to explain to you that you're playing my ball. You see, A PGA has two black dots and a Crowflight has a circle...
SUSAN: Mm-hmm.
DAVID: Y..y..
SUSAN: I'm not superstitious about things like that...
DAVID: Oh, but that doesn't have anything to do with i...
SUSAN: Stop talking for a minute, would you please...
SUSAN: Would you take out the pin?
DAVID: But...
DAVID: Oh my, this is so silly, I never saw such...
SUSAN: Ha!
DAVID: There, you see? It's a circle.
SUSAN: Well, now, of course it is. Do you think it would roll if it was square?
DAVID: No, I have reference to a mark on the ball.
SUSAN: Oh no, I was merely being silly...
DAVID: That proves it's a Crowflight.
SUSAN: What does it matter? It's only a game, anyway.
DAVID: Well, my dear young lady, you don't seem to realize that you've placed me in a m...very embarrassing position.
SUSAN: Oh really? I'm sorry...
DAVID: The most important corporation lawyer in New York is waiting for me over on the first fairway.
SUSAN: Then it's silly of you to be fooling around on the eighteenth green.
DAVID: Uh..y..y..you don't mind if I take this with me?
SUSAN: No! Not at all! Tell the caddy-master to put it in my bag when you're finished.
PEABODY: Huxley!
PEABODY: Huxley! Come on!
DAVID: Oh, yes! I'll be with you in a minute, Mr. Peabody!
SUSAN is blocked in the parking lot and attempts to get out by slamming into the car in front.
CADDY: Hey, Mister. I think that's your car!
DAVID: Hey! Hey! Oh...
DAVID: I'll be with you in a minute, Mr. Peabody!
DAVID: Hey!
DAVID: Hey! Hey! What do you think you're doing?
SUSAN: I'm trying to unpark my car!
SUSAN: Oh! Hello!
DAVID: This is MY car!
SUSAN: Oh, good, would you mind moving it out of the way?
DAVID: No! No! This is MY CAR!
SUSAN: Yes, I understand that! If you'd move it back about four feet, well, maybe I'll be able to get out!
DAVID: Well, I'm afraid you made a mistake. THIS is your...
SUSAN revs the engine.
DAVID: Wait! What did you say?
SUSAN: I said if you move it back about four feet, I'll be able to get out. I'm in a terrible hurry and I can't budge.
DAVID: Oh, you want me to move YOUR car...
SUSAN: Would you mind terribly?
DAVID: Well, yes I will, but I...
SUSAN: Oh, that would be awfully kind of you.
DAVID: Well, take it easy with that car..
SUSAN: Yes, I'll go slowly.
SUSAN accelerates in reverse and crumples a bumper on the tree.
DAVID: No..what...
DAVID: What are you doing?
SUSAN: Well, I..I have to get into position.
DAVID: Well, please be CAREFUL!
SUSAN: I will.
DAVID starts her car.
SUSAN: Now, you say "when."
DAVID: Alright.
SUSAN: Am I clear?
DAVID: Yes, you're clear now.
SUSAN: Clear?
DAVID: Yes...
SUSAN accelerates into the car in front of her.
DAVID: Oh!
DAVID: Now look what you've done!
SUSAN: Oh, that's alright, I'm insured.
DAVID: Well, I don't care whether YOU'RE insured or not!
DAVID: Look! Let me drive this car.
SUSAN: Oh, it's alright, it's an old wreck, anyway. Doesn't matter...
DAVID: Well, you..you don't understand! This is MY CAR!
SUSAN: You mean THIS is YOUR CAR?
DAVID: Of course!
SUSAN: YOUR golf ball. YOUR car. Is there anything in the world that doesn't belong to you?
DAVID: Yes, thank heaven...YOU!!
SUSAN: Now, don't lose your temper.
DAVID: Well, uh...
DAVID: My dear young lady, I am not losing my temper. I am merely trying to play some golf!
SUSAN: Well, you choose the funniest places. This is a parking lot!
DAVID: Will you get out of my car?
SUSAN: Will you get off my running board?
DAVID: This is MY running board!
SUSAN: Alright, honey, stay there, then!
SUSAN starts to pull out, with DAVID being carried away, clinging to the car, protesting the entire way.
DAVID: Oh! Oh! Oh!
SUSAN: Oh, you think everything belongs to you, this is my car....
 SUSAN: If you want to come with me, you're more than...
DAVID: My dear young lady, you...
PEABODY: Huxley! Huxley!
DAVID: I'll be with you in a minute, Mr. Peabody!


Bringing Up Baby

Words by Dudley Nichols and Hagar Wilde

Pictures by Russell Metty and Howard Hawks

Bringing up Baby is available on DVD from Warner Home Video.