Francois is on his daily rounds, done at their usual leisurely pace, but even more so for all the trouble the slightly officious fâcheux of a mailman can find to distract himself. But, the next day, inspired by an newsreel of how Americans are improving the speed of their mail delivery, he endeavors to increase the tempo of his route.
That's it in a nutshell, but the details, as with most silent comedies (although Jour de Fête isn't silent), are where the enjoyable bits are. François is a more manic character than Tati's laid-back Mr. Hulot, and has a puppy-like fascination with just about everything and a cat-killing curiosity that gets him into both hot and cold water. He is everybody's dork with a title, sure of himself and the only one in the room who is. But his intentions are good. His results are variable.
Thirteen years after Tati's death, his daughter Sophie and French cinematographer Françoise Ede (who'd made a documentary about Tati's Playtime) managed to find the color elements and restore the Thomson-color version for the 1995 DVD release in France.
It was released—along with the black-and-white and tinted versions—in 2014 as a Criterion release.
The Three Lives of Jour de Fête
Black and White |
Tinted |
Color |
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